Showing Records: 1 - 20 of 137
2 Visual Book Reviews / curry, jw; Kempton K; Adler J; lefler P., 1984
A Short History of London / Adler, Jeremy ; Cobbing, Bob., 1979
First copy printed. The abstract images derived from maps depict sound poems by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
A Short History of London / Adler, Jeremy ; Cobbing, Bob., 1978
The abstract images derived from maps depict sound poems by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
All in a Tiz / Adler, Jeremy., 1987 - 1994
Adler has used red, yellow and black colors to create an abstract alphabet formed from inked, constructivistic-like, line drawings on each of the pages of this leaflet. -- Source of annotation: Marvin or Ruth Sackner.
Alphabet Music , 1972
Bill Griffiths silkscreened the prints.The loose sheet provides directions for reading the poem. -- Source of annotation: Marvin or Ruth Sackner.
Alphabox / Adler, Jeremy., 1973
Designated Object Series No.1. -- Source of annotation: Marvin or Ruth Sackner.
Alphabox [uncut version] / Adler, Jeremy., 1973
Designated Object Series No.1. This represents the uncut version of the usual, leaflet format. -- Source of annotation: Marvin or Ruth Sackner.
An Alphabet / Adler, Jeremy., 1986
The prints are numbered in sequence on the verso. -- Source of annotation: Marvin or Ruth Sackner.
And all is dead - And nothing moves, 1968
In a personal communication to the Sackners, Adler commented that the poem in this drawing (last two lines) was based upon his first accomplished poem (Live to Circle). -- Source of annotation: Marvin or Ruth Sackner.
Anthologie Visuele Poezie: 133 dichters uit 23 landen/Visual Poetry Anthology: 133 poets from 25 countries / De Rook, G.J., editor ; Accame V ; Adler J ; Adamus K ; Carrion U ; Cobbing B ; Gerz J ; Heidsieck B ; Miccini E ; Nannucci M ; Ockerse T ; Ori L ; Padin C ; Porter B ; Riddell A ; Saville K ; Schmidt SJ ; Solt ME ; Todorovic M ; Tot E ; UU D ; Bremer C ; Alocco M ; Andersen E ; Arias-Misson A ; Attalai G ; Bauer J ; Belsey A ; Bentivoglio M ; Boumans B ; Bremer C ; Bujdoso A ; Bugli E ; Caraballo J ; Castro L ; Chobot M ; Claus CF ; Clavin H ; Crozier R ; Daligand D ; Damen H ; Dencker KP ; Duchene G ; VanDijk P ; Ferro L ; Fisher A ; Toth G ; Garnier P ; Gosewitz L ; Grogerova B ; Hirsal J ; Gudmundsson S ; Hompson DD ; Joseph R ; Kitasono K ; Klivar M ; Kocman JH ; Ladik K ; Lappalainen K ; Lepage J ; Lichtenauer F ; Mayor D ; Mayrocker F ; Liggins J ; Lora-Totino A ; Mallander J ; Marcucci L ; Meijboom P ; Miles C ; Mol P ; Montells J ; Morris S ; Nagy P ; Novak L ; Osti M ; Partum A ; Phillips MJ ; Pignotti L ; Radin B ; DeRook GJ ; DeSa A ; Sandri G ; Saville K ; LeSidaner JM ; Szombathy B ; Takahashi S ; Tarnman I ; Valoch J ; Vigo EA ; DeVree P ; DeVries H ; Vroom I ; Wojnar J ; Zabala H ; Zurbrugg N ; Bielski A ; Bulkowski., 1975
This book served as a catalogue for an exhibition entitled, "Visual Poetry International," held at gallery 'de doelen' Rotterdam and later at Centre 't Hoogt, Utrecht, The Netherlands in 1975. There is also a supplement to the book with the same title as well as an exhibition poster that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
At Sunrise / Adler, Jeremy., 1968
This poem was composed with the same layout as the one with the same title but with "Chinese-like lettering" in conventional hand printing. -- Source of annotation: Marvin or Ruth Sackner.
At Sunrise (Chinese-like lettering), 1968
In a personal communication to the Sackners, Adler commented that this poem-drawing was an attempt at a new visual alphabet equivalent to Chinese lettering. -- Source of annotation: Marvin or Ruth Sackner.